Most of the Thangka viewer simply think that Thangka is an art of the Buddhist scholar of higher intellectuality revere it with entire homage considering mystic power of Lamaistic dieties . In accordance with the religious culture, the Thangka to be kept at the worship room sanctifies with holy water muttering mantras to enliven Thangka mystic power and puts kada (a two feet long silk cloth) on it. This Thangka depicts Mandala. Mandala, a circle which is a device for the Tantric meditation. It is a visual aid for concentration and introvertive meditation leading to the attainment of insights and to activation of forces culminating in "Siddhi" supernatural forces. The Mandala is the graphic representation of this process. It is not only theoretical but practical also as an operational scheme involving a clear plan for practical realization of the process within oneself. It thus becomes an instrument (Yantra). There are many types and varieties of Mandalas depending on the nature of the central deity. The most classic pattern of Mandalas are of the Dhyani Buddha. The Mandala represents "palace of purity" a magic sphere cleared of spiritual obstacles and unpurified. The square of the "Sacred palace" proper is end used in multiple circles of flame, Vajra, eight centuries (appears only in wrathful deities) lotus, then the inner square to reach of the deity of the Mandala .
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